| Understanding Everyday Life in British and Irish Film
My book offers a new approach to film in Britain and Ireland based on the depiction of social practices—the routine behaviors of everyday life such as making tea, answering a phone call, and catching the Tube--across the history of Anglo-Celtic cinema. Indigenous film critics have long struggled to define the four national cinemas (England, Ireland, Wales, Scotland) in terms of setting, characterization, or mode. My practice-oriented approach reconfigures the field to focus on lived customs, their history, and their role in identity-construction by way of the cinema. This project foregrounds the web of similarities and differences that constitutes a "practical community" in the Atlantic archipelago.
[Grant products]
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Project fields:
Film History and Criticism
Program:
Fellowships for University Teachers
Division:
Research Programs
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Totals:
$40,000 (approved)
$40,000 (awarded)
Grant period:
1/1/2006 – 12/31/2006
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