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I shall complete a book examining the artistic fascination with animals in northern European art of the seventeenth and eighteenth centuries. I relate this pre-occupation to the rise of empirical science and to materialistic understandings of the body, both animal and human, and I interpret the artworks through the lens of the early modern debate over animal soul. A key argument that runs throughout the book is the implication of the human in the representation of the animal; I argue that the philosophical debate over animal soul was fuelled by concerns over the status of the human soul, and I show that the animal imagery also constantly invoked the human, as if to question and probe the relation between the two.