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My book places Chicago at the center of a new modernist geography. Based upon archival research, my book focuses on writers, artists, institutions, and cultural advocates during the early twentieth century when Chicago was a center for the production of modernist art and literature. I examine key publications launched in Chicago like Harriet Monroe's POETRY magazine and Margaret Anderson's LITTLE REVIEW and I also take account of equally important yet overlooked figures, many of them women, who helped expose modernism to a wide public audience. These figures (among many) include Alice Roullier, a curator who coolly negotiated radical and challenging exhibits, and Fanny Butcher, the longtime literary editor of the Chicago Tribune. I consider why Chicago's "middlebrow" readers embraced the most experimental writers and artists of the era. I show how Chicago has always maximized connections between art and industry, becoming a city where lines of track merged to meet and make modernism.