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Funded Projects Query Form
193 matches

Grant programs:Digital Humanities Advancement Grants*
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Southern Illinois University, Edwardsville (Edwardsville, IL 62026-0001)
Jessica DeSpain (Project Director: June 2022 to present)
Margaret Smith (Co Project Director: January 2023 to present)

HAA-290317-23
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$149,612 (approved)
$149,611 (awarded)

Grant period:
1/1/2023 – 12/31/2024

Recovery Hub for American Women Writers

The continued development and implementation of a digital recovery hub focused on surfacing the work of American women writers and promoting scholarship on their literary contributions.

The project team is seeking a Level II Digital Humanities Advancement Grant to fully implement a digital recovery hub (piloted under a Level I DHAG awarded in 2020) that will operate as a network of scholars grounded in diverse feminist and decolonizing methods under the umbrella of the Society for the Study of American Women Writers (SSAWW). The hub provides a much-needed infrastructure for project consultation and technical assistance for scholars engaged in the recovery of works by American women writers from all periods. The hub’s broader goals are to: 1) reinvigorate digital scholarship as a recovery method by extending traditional editing projects with network mapping, spatial analysis, and the distant reading of massive datasets; 2) provide support for projects at various levels; 3) act as a feminist peer reviewing body for in-process work; and 4) build a community of use to help recovery projects reach broader audiences through SSAWW’s membership and journal Legacy.

Temple University (Philadelphia, PA 19122-6003)
Edward Latham (Project Director: June 2022 to present)
Solomon Guhl-Miller (Co Project Director: December 2022 to present)

HAA-290339-23
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$149,680 (approved)
$149,680 (awarded)

Grant period:
1/1/2023 – 6/30/2025

Ars Antiqua Online: A Digital Edition of Thirteenth-Century Polyphony

The creation of a resource to transcribe early polyphonic music into standard notation and develop a corpus to allow scholars and students to search, compare, and analyze early music.

During the grant period we would: 1. create a free, open-access website on which to store what will eventually be approximately 110 organa, 460 clausulae, and 680 motets along with their rhythmic and melodic variants; 2. transcribe approximately a quarter of this music into modern notation (25 organa, 100 clausulae, 150 motets) presenting multiple plausible transcriptions of each work each of which will then be entered into the website as .xml files and then analyzed using MEI; 3. create an interface using Edirom and GET requests which will allow users to compare as many versions of a given work as desired, and allow them to create and print a hybrid edition which could combine several of the versions together according to the user''s specifications.

University of Virginia (Charlottesville, VA 22903-4833)
Christine Ruotolo (Project Director: June 2022 to present)
Tonya Howe (Co Project Director: December 2022 to present)
John O'Brien (Co Project Director: December 2022 to present)

HAA-290349-23
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$303,104 (approved)
$303,104 (awarded)

Grant period:
1/1/2023 – 12/31/2025

Literature in Context: An Open Anthology of Literature, 1400-1925

The continuing development of the open educational resource, Literature in Context, an open-access, curated, and classroom-sourced digital anthology of British and American literature in English in partnership with scholars and students from Marymount University.

We are applying for a Level III Grant to build out Literature in Context, a TEI-encoded digital anthology of literature in the English language from 1400 to 1925, designed for use by students, teachers, and the general public. Our project innovates by taking full advantage of the affordances of digitization to create an Open Educational Resource that incorporates interactivity, digitized page images of original editions, and other contextual materials, making it a true replacement for the costly print anthologies used in American and British literature survey courses across the globe.

Regents of the University of California, Santa Cruz (Santa Cruz, CA 95064-1077)
Dard Neuman (Project Director: June 2022 to present)

HAA-290356-23
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$149,998 (approved)
$149,064 (awarded)

Grant period:
1/1/2023 – 12/31/2023

A Platform for Digitally Transcribing and Archiving Hindustani Music

Further work on a platform that enables users to transcribe, archive, and study non-Western music.

This proposal is to support the continued development of an “interactive digital transcription platform” (IDTP). The IDTP is a web-based application that allows for the digital transcription, archiving, sharing, and analysis of audio recordings of oral melodic and improvisational traditions, with a first focus on Hindustani music.

President and Fellows of Harvard College (Cambridge, MA 02138-3800)
Jinah Kim (Project Director: June 2022 to present)
Rashmi Singhal (Co Project Director: January 2023 to present)
Jeff Steward (Co Project Director: January 2023 to present)

HAA-290367-23
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$349,143 (approved)
$349,143 (awarded)

Grant period:
1/1/2023 – 12/31/2024

Mapping Color in History

The continued development of the Mapping Color in History (MCH) portal that allows scholars to analyze and compare pigment data from historical paintings.

Mapping Color in History [MCH] brings together the scientific data drawn from existing and on-going material analyses of pigments in Asian painting in a historical perspective. As a digital portal with a searchable online database, MCH does not only document pigments and their material properties, but also enable an in-depth historical analysis of pigment data through a search tool that identifies specific examples and their locations in both time and space. By developing a database ontology that can bring together fragmentary and uneven data with complex lateral and hierarchical relationships and by compiling pigment analysis data and deep historical research in a systematic manner, MCH enables truly interdisciplinary research and collaboration, connecting humanists and scientists.

University of Pittsburgh (Pittsburgh, PA 15260-6133)
Ruth Mostern (Project Director: June 2022 to present)

HAA-290373-23
Digital Humanities Advancement Grants
Digital Humanities

Totals (outright + matching):
$399,797 (approved)
$349,797 (awarded)

Grant period:
1/1/2023 – 12/31/2025

World Historical Gazetteer: Toward a Digital Epistemology of Place

Expansion, development, and outreach of the World Historical Gazetteer, a comprehensive digital resource linking significant global place names over time used for researching and teaching world history.

This proposal is to develop infrastructure, content and sustainable governance for Version 3 of World Historical Gazetteer (WHG), a platform for linking knowledge about the past via place. WHG is a powerful tool for scholarly collaboration and crucial backend architecture for named entity recognition, digital mapping and library search. This grant will allow WHG to more than double in size and expand its multivalent and multilingual records; to perform enhancements to support teaching and dataset submission; to foster communities of board members, scholars, learners and developers; and to become financially sustainable. We aim to ensure widespread use, institute scholarly peer review and promote open-source development. WHG is the only digital humanities project developing tools, platforms, content, and community for the history of place at the global scale. It enhances and integrates other spatial history projects and fosters a humanistic approach to place beyond historical GIS.

Cornell University (Ithaca, NY 14850-2820)
Matthew Wilkens (Project Director: June 2022 to January 2023)
Matthew Wilkens (Project Director: January 2023 to present)
Melanie Walsh (Co Project Director: June 2022 to present)
David Mimno (Co Project Director: December 2022 to present)

HAA-290374-23
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$349,987 (approved)
$286,903 (awarded)

Grant period:
1/1/2023 – 12/31/2025

BERT for Humanists

The development of case studies about and professional development workshops on the use of BERT (Bidirectional Encoder Representations from Transformers) for humanities scholars and students interested in large-scale text analysis.

Large language models (LLMs) have revolutionized natural language processing since their introduction in 2018. By combining huge numbers of parameters with vast text collections, pre-trained LLMs offer advanced general-purpose language understanding off-the-shelf. As powerful as LLMs can be, however, we have seen clear examples of the problems that arise from a lack of good humanities-focused resources to interpret their outputs and to guide scholars in the field. The BERT for Humanists project produces research, training, and tools to inform, empower, and inspire humanities scholars to use LLMs in their disciplines in creative new ways. Together, the products of BERT for Humanists provide an intellectual framework for understanding and evaluating new computational language technologies, so that humanists can use — and critique, as appropriate — both the current generation of LLMs and their rapidly evolving successors.

Grinnell College (Grinnell, IA 50112-2227)
David Neville (Project Director: June 2022 to present)
Timothy Arner (Co Project Director: June 2022 to present)
Austin Mason (Co Project Director: June 2022 to present)

HAA-290378-23
Digital Humanities Advancement Grants
Digital Humanities

[Media coverage]

Totals:
$46,136 (approved)
$46,136 (awarded)

Grant period:
1/1/2023 – 12/31/2024

The Virtual Viking Longship Project: A Study in the Future of Liberal Arts Teaching and Research

The development of a virtual reality model of a Viking Age longship with a team of undergraduate researchers. The project team will document the workflow and learning outcomes to share with other undergraduate institutions.

This project explores and tests strategies for integrating undergraduate student learning and labor in the development of long-term Digital Humanities (DH) research projects. Combining the strengths of two leading liberal arts colleges with the multidisciplinary affordances of virtual reality (VR) technologies, the project aims to create an immersive VR experience for visualizing the social and cultural roles of a Viking Age longship by forming a DH community of inquiry and practice that cultivates deep competencies in spatial computing within the context of a liberal arts education. Student co-authored outcomes will include: (1) an open-source minimum viable product (MVP) VR experience made in consultation with museum partners in the US and Europe; (2) experience design document outlining future development; (3) presentations on our findings at major DH and History conferences; and (4) open-access article detailing the project's strategies and recommended best practices.

University of Missouri, Kansas City (Kansas City, MO 64110-2235)
David J. Trowbridge (Project Director: June 2022 to present)
Diane Louise Mutti Burke (Co Project Director: December 2022 to present)

HAA-290382-23
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$149,855 (approved)
$149,855 (awarded)

Grant period:
3/1/2023 – 6/30/2024

Immersive Digital History Trails: A New Platform for Place-Based Interpretation with Working Prototypes for the History of Jazz, Baseball, and BBQ in Kansas City

Development of a location-based notification system that will be tested through the creation of three new heritage tours in Kansas City, and then deployed for the 1400+ local history trails within the Clio website. 

Working with a diverse team of scholars, software developers, and organizations, our team will develop and test a new interpretive platform in Clio that will connect the public to humanities scholarship as they explore thematic three Kansas City history trails centered on jazz, baseball, and barbecue. The centerpiece of this prototyping project is the creation of a two-way geofencing system that will offer location-based media on the user's mobile device as they move along the trail while also sending a Bluetooth signal that triggers events within the user’s physical surroundings. Our team will add more accessibility features and user options during the grant period that will enhance the 1400 existing trails and walking tours in Clio.

University of the Virgin Islands (Charlotte Amalie, VI 00802-6004)
Thalassa Tonks (Project Director: June 2022 to present)
Molly Perry (Co Project Director: June 2022 to present)

HAA-290389-23
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$50,000 (approved)
$50,000 (awarded)

Grant period:
1/1/2023 – 12/31/2024

Community Conversations: A Digitized Cultural Preservation Project in the United States Virgin Islands

The planning and development of a digital archive of oral histories of community members, built by faculty and students at the University of the Virgin Islands.

This project will engage University of the Virgin Islands students in Service Learning by training them in best practices of oral history research, collection, preservation, public engagement and linguistic practices, awareness, and recording. Oral history collection develops students’ critical communication capacities and analytical skills, while also helping to preserve the rich history, languages, and cultures of the Virgin Islands community. This funding will enable a team of UVI faculty members to continue to train and engage a young generation to contribute meaningfully to humanities projects on St. Croix, St. John, St. Thomas, and Water Island. This grant will allow students to further contribute to the preservation of these stories by transcribing and editing the videos to be uploaded into an online public access website, so that other researchers around the world gain appreciation for the history and cultures of the US Virgin Islands.

Fordham University (Bronx, NY 10458-9993)
Matthew Hockenberry (Project Director: June 2022 to present)
Colette Perold (Co Project Director: December 2022 to present)

HAA-290391-23
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$49,926 (approved)
$49,926 (awarded)

Grant period:
2/1/2023 – 5/31/2024

Manifest: Digital Humanities Platform for the Critical Study of Logistics

Research and testing of the Manifest platform designed to support humanities research of supply chains and commodities. 

While of significant social and environmental importance, global supply chains are both complex and opaque. Understanding the impact of these networks is challenging. Manifest is a digital humanities project designed to allow researchers in the humanities to produce critical accounts of global logistical operation and to communicate the impact of supply chains on society. This proposal will form a research network around Manifest's open-source, web-based platform for the critical analysis of supply chains, production lines, and trade networks. Based on case studies implemented on the Manifest platform by members of the research network, the project will construct a comprehensive research guide and curriculum for the critical study of logistics in the humanities.

CUNY Research Foundation, Graduate School and University Center (New York, NY 10016-4309)
Lisa M. Rhody (Project Director: June 2022 to present)
Stephen Zweibel (Co Project Director: June 2022 to present)

HAA-290392-23
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$349,887 (approved)
$349,887 (awarded)

Grant period:
1/1/2023 – 12/31/2024

DHRIFT: Digital Humanities Resource Infrastructure for Teaching Technology

The continued development of the Digital Humanities Resource Infrastructure for Teaching Technology (DHRIFT) platform to provide technical training in digital humanities methodologies with a particular focus on faculty and staff for historically under-resourced institutions. 

Access to technical training in the digital humanities is inequitably distributed, especially among historically underserved institutions. Since 2018, and with funding provided by two NEH-funded IATDH grants, the Graduate Center, CUNY has supported development of over 30 local DH institutes and intensives by training 48 DH practitioners as part of the Digital Humanities Research Institute (DHRI). Building on the demonstrated success of these approaches, GCDI proposes a social and infrastructural intervention, Digital Humanities Resource Infrastructure for Teaching Technology (DHRIFT), to provide pedagogical support to a wider DH community. DHRIFT is conceived around flexible infrastructure for deployable sites—DHRIFT Core—that can be readily set up at local institutions and which provide ready-to-teach OERs and additional functionality to support DH pedagogy. By building community, curriculum, and infrastructure, DHRIFT aims to facilitate the more equitable development of DH skills.

California State University, Channel Islands (Camarillo, CA 93012-8599)
Eric Kaltman (Project Director: June 2022 to present)
Joseph Osborn (Co Project Director: December 2022 to present)

HAA-290396-23
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$146,605 (approved)
$146,605 (awarded)

Grant period:
1/1/2023 – 12/31/2024

The Game and Interactive Software Scholarship Toolkit: Expanding Software Citation and Reference

The creation of an open-source platform and tools to facilitate retrieving, using, and studying historical software.

The Game and Interactive Software Scholarship Toolkit (GISST) is a platform for managing the citation and reference of software objects, their run-time states, and performances of their functionality by users. GISST is designed to lower the technical burden for scholars interested in interpreting historical software by making emulated systems more accessible, searchable, and shareable.

Mangalam Centers (Berkeley, CA 94704-1418)
Ligeia Lugli (Project Director: June 2022 to present)
Regiani Aparecida Santos-Zacarias (Co Project Director: June 2022 to present)

HAA-290402-23
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$50,000 (approved)
$50,000 (awarded)

Grant period:
1/1/2023 – 3/31/2024

Democratizing digital lexicography: an infrastructure to facilitate the creation and dissemination of electronic dictionaries.

A series of virtual planning meetings for the development of a prototype platform for builders of digital lexical resources and dictionaries for under resourced languages.

The project supports the creation and dissemination of digital dictionaries for low-resource languages. With many world languages at risk of extinction, online dictionaries & glossaries are increasingly crucial. Unfortunately, the languages most in need of such resources have the biggest challenges. The availability of digital infrastructure for a language is proportional to its representation - the more data that is available in digital format, the easier it becomes to automatically process it. Conversely, the less a language/culture is represented online, the higher the costs of retrieving and processing data about it. We propose to prototype a digital infrastructure that can help redress this inequality by drastically reducing the costs/technical expertise required to create, publish and maintain online dictionaries. A series of iterative development cycles will bring together user-testers, identify their needs, and prepare an alpha-prototype application to address these needs.

Michigan State University (East Lansing, MI 48824-3407)
Elizabeth Sneller (Project Director: June 2021 to present)

HAA-284835-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$99,908 (approved)
$99,908 (awarded)

Grant period:
1/1/2022 – 12/31/2024

Building and Disseminating an App for Ethnographic Remote Audio Recording

The development and testing with humanities scholars of an open source mobile recording app for collecting “audio diaries” for use in research and public engagement. 

This project builds on the success of an existing prototype for a remote recording mobile app used to collect "audio diaries" in 2020-2021. We aim to redevelop the code for the front end of the app and refactor the code for the back end, resulting in a shareable app infrastructure that may be adopted by researchers at any number of institutions. We will bring together a user community of beta testing researchers across the humanities who may benefit from a remote recording app, which we hope to expand during the second year of funding into a broad user community and support system. The code and user manual will be published on a public GitLab repository, enabling future improvements by the user community.

Northeastern University (Boston, MA 02115-5005)
Ellen Cushman (Project Director: June 2021 to September 2023)
Julia Hammond Flanders (Project Director: September 2023 to December 2023)
Julia Hammond Flanders (Co Project Director: December 2021 to present)
Benjamin Elliott Frey (Co Project Director: September 2023 to December 2023)

HAA-284836-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$99,957 (approved)
$99,957 (awarded)

Grant period:
1/1/2022 – 12/31/2023

Translating Cherokee Manuscripts: Creating a Writing Environment for DAILP

The further development of user interfaces for collective translation of the collections in the Digital Archive for American Indian Languages Preservation and Perseverance (DAILP), a digital archive of Cherokee-language manuscripts and lexical resources.

Cherokee language documents are a ready source of valuable insight into the cultural, linguistic, and historical legacy of the Cherokee people. With an online environment to facilitate translation, Cherokee language experts and scholars could translate these documents collectively with Cherokee language learners of all ages who are found in online classes, immersion schools, university classrooms, and communities. And their translation work could be supported with ready access to the lexical datasets found in dictionaries, wordlists, and grammars. The Digital Archive for American Indian Languages Preservation and Perseverance (DAILP) seeks to address these needs by creating a digital archive of Cherokee-language manuscripts and lexical resources to support the collective translation of American Indian language manuscripts, and to advance indigenous language learning, translation, and documentation.

Vanderbilt University (Nashville, TN 37240-0001)
Markus Eberl (Project Director: June 2021 to present)

HAA-284842-22
Digital Humanities Advancement Grants
Digital Humanities

[Media coverage]

Totals:
$49,289 (approved)
$41,515 (awarded)

Grant period:
1/1/2022 – 12/31/2023

Changing Communities of Ancient Builders: Machine Learning-based Analysis of Mortars from Caesarea Maritima (Israel)

The creation of machine learning methods to identify microartifacts from archaeological sites. 

Mortars are ubiquitous and essential parts of construction. Ancient builders prepared them as members of changing communities of practice. We ask to what degree interactions among contemporaries led to standardized mortars and whether builders learnt from culturally different predecessors. These issues require studying a large data set objectively. Our Level 1 project proposes to analyze 1000 mortar samples and ~1 billion particles with a dynamic image particle analyzer. We train machine learning algorithms to identify experimentally reproduced mortar constituents in archaeological samples. The latter come from the ancient port city of Caesarea Maritima that Roman, Jewish, Byzantine, Abassid-Fatimid Muslim, and Crusader builders constructed between 22 B.C.E. and 1265 C.E. Our approach – dynamic image analysis, experimental archaeology, and machine learning – can be extended to other parts of the ancient Mediterranean as well as to other microartifacts.

Lindenwood University (Saint Charles, MO 63301-1693)
Geremy Carnes (Project Director: June 2021 to present)
Margaret Smith (Co Project Director: December 2021 to present)

HAA-284844-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$49,938 (approved)
$49,938 (awarded)

Grant period:
1/1/2022 – 6/30/2023

Expanding Access to the Digital Humanities in St. Louis

Developing a workshop and building a network for supporting and disseminating methods in digital humanities pedagogy for secondary and post-secondary institutions in the St. Louis, Missouri region.

“Expanding Access to the Digital Humanities in St. Louis” will build a digital humanities network for the greater St. Louis metropolitan area, linking faculty, students, and community members across the region’s educational and cultural institutions in a community of pedagogy and practice. This network will bridge the K-12-college divide and emphasize active advancement of digital humanities pedagogy and access for underserved populations. Rather than focusing on faculty research, this network will center student learning, particularly at the often neglected secondary and undergraduate levels. At a workshop held in September 2022, network members will establish processes that will allow secondary and post-secondary students throughout the region to participate remotely in digital humanities projects headquartered at participating institutions. They will also identify other collaborative goals for the network to pursue toward improving digital humanities pedagogy in St. Louis.

St. Louis University (St. Louis, MO 63103-2097)
Daniel Nickolai (Project Director: June 2021 to present)
Kathleen Llewellyn (Co Project Director: January 2022 to present)
Sarah Bauer (Co Project Director: January 2022 to present)
Christina Garcia (Co Project Director: January 2022 to present)
Amy E. Wright (Co Project Director: January 2022 to present)

HAA-284849-22
Digital Humanities Advancement Grants
Digital Humanities

Totals (outright + matching):
$275,000 (approved)
$225,000 (awarded)

Grant period:
1/1/2022 – 12/31/2024

iSpraak: A web-based application for second language pronunciation instruction, assessment, and research

Scaling up development and dissemination of the iSpraak application as a free and open source language pronunciation instruction and learning tool. 

This NEH Digital Humanities Advancement Grant proposal outlines the plan to enhance, scale, and provide free access to the web application iSpraak. This digital platform equips educators and scholars with an innovative tool for second language pronunciation instruction, assessment, and research. Originally developed for internal use at Saint Louis University in 2014, iSpraak has now been used by tens of thousands of students and instructors across the globe. NEH funding is currently sought in order to continue development, remove cost barriers to access, and to make the platform fully open and accessible to all interested parties.

Trustees of Indiana University (Bloomington, IN 47405-7000)
John Anthony Walsh (Project Director: June 2021 to present)
J. Stephen Downie (Co Project Director: June 2021 to present)

HAA-284850-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$325,000 (approved)
$325,000 (awarded)

Grant period:
1/1/2022 – 12/31/2023

Tools for Open Research and Computation with HathiTrust: Leveraging Intelligent Text Extraction (TORCHLITE)

The development of web-based tools and documentation to allow both novice and expert users to interact with data from the HathiTrust Digital Library.

The HathiTrust Research Center (HTRC) seeks $325,000 in funding for a period of 2 years, through the Digital Humanities Advancement Grants program, Level III, for the development of next-generation web-based, interactive visualization and analytical tool dashboard that consume existing data from our one-of-a-kind, fully open Extracted Features dataset, along with a well-documented API to allow our user community to develop its own tools for interacting with data from the 17.5-million-volume HathiTrust Digital Library. We will develop and promote these tools and API through a robust community outreach program that includes a public event and hack-a-thon focused on tool building.

University of Richmond (Richmond, VA 23173-0001)
Lauren Tilton (Project Director: June 2021 to present)
Taylor Arnold (Co Project Director: October 2021 to present)

HAA-284853-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$324,693 (approved)
$324,693 (awarded)

Grant period:
1/1/2022 – 12/31/2024

PGVis: Digital Public Humanities Software for Visualizing Image Collections

The creation of software to easily allow non-programmers to develop interactive public humanities digital projects.

The Photogrammar Visualization Software (PGVis) is an open-source tool for the visualization and exploration of image collections. PGVis will allow anyone with a collection of digital images and associated metadata to create, with no prior programming experience, their own digital public humanities projects in the form of public websites. In addition to the software, the project will produce six case studies that will model and highlight how the software can be used in a variety of different domains, data sizes, and types of institutions.

Association of University Presses, Inc. (New York, NY 10018-9228)
John E. Sherer (Project Director: June 2021 to present)
Erich van Rijn (Co Project Director: December 2021 to present)

HAA-284855-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$49,680 (approved)
$49,680 (awarded)

Grant period:
2/1/2022 – 7/31/2023

Understanding the Impact on Print Revenue When University Press Books are Open Access

A survey of scholarly presses and the preparation of a report on revenue models for open access publishing.

The project seeks to understand empirically whether the availability of Open Access (OA) editions of scholarly books has a quantifiable effect on the sales performance of print editions. University presses publish an estimated 4000 monographs annually. While many university presses have pursued experiments with OA publishing, sustainable financing of all publishing operations is a significant concern. This study will gather sales data on a significant number of both OA and traditionally published titles across multiple disciplines from a wide array of non-profit scholarly publishers in order to answer one of the biggest questions in humanities book publishing: does an OA option decrease sales, increase sales via greater discovery, or have no discernible effect? The research will be essential to inform future OA book programs and models, pointing the way to expanding sustainable open publishing operations.

Boise State University (Boise, ID 83725-0001)
Kelly Arispe (Project Director: June 2021 to present)

HAA-284870-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$100,000 (approved)
$100,000 (awarded)

Grant period:
1/1/2022 – 12/31/2023

Evaluating the Practices and Impact of Digital Scholarship on World Language Pedagogy in K-12 Urban and Rural Contexts

An evaluative study on the impact of teaching world languages using Open Educational Resources (OERs) in K-12 classrooms across Idaho.

This Level II proposal addresses the third program priority to implement an evaluative study on the practices and impact of digital scholarship on pedagogy to enhance teaching and learning in the humanities. Our project, Pathways, is an Open Educational Resource (OER) that is a repository of more than 700 high-quality, editable digital materials (activities) that supports standards-based pedagogy centered on human inquiry for ten world languages and cultures. This project is innovative because we evaluate K-12 urban and rural pedagogy impacted over time as we explicitly train teachers to use Pathways and other digital humanities materials aligned to world languages and cultures. The findings from this evaluative study will provide new opportunities to communicate the impact of digital scholarship on pedagogy by characterizing the beliefs, perceptions, interests, and teacher practices of urban and rural K-12 humanities teachers, a profoundly under investigated population.

New York University (New York, NY 10012-1019)
Tega Brain (Project Director: June 2021 to present)
Elaine Ayers (Co Project Director: December 2021 to present)
Ahmed Ansari (Co Project Director: December 2021 to present)

HAA-284880-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$50,000 (approved)
$50,000 (awarded)

Grant period:
3/1/2022 – 2/28/2024

Inverting the Wunderkammer: Rethinking the Digital Humanities through Botanic Histories and Archives

Convening of a series of participatory design workshops to enhance discovery and use of the Mitten Collection of moss for humanities research.  

This submission to the NEH Digital Humanities Advancement Grant requests support for a Level I project titled Inverting the Wunderkammer: Rethinking the Digital Humanities through Botanic Histories and Archives, to be hosted by New York University (NYU) in partnership with the New York Botanical Gardens (NYBG). Building and expanding on histories of botany and responding to the ongoing violences of colonial collecting, preservation, and display at work in western cultural institutions, our project tackles the digital representation of a perhaps surprising plant that travels the globe in unusual ways at multiple scales: moss. Moss, in all of its miniscule, microscopic mundanity, might initially seem an odd choice of subject for a humanities-based project, especially after an arduous year of existential, ecological, and political challenges.

Carnegie Mellon University (Pittsburgh, PA 15213-3890)
Christopher Warren (Project Director: June 2021 to present)
Matthew Lincoln (Co Project Director: October 2021 to April 2022)
Samuel Lemley (Co Project Director: October 2021 to present)
Max G'Sell (Co Project Director: October 2021 to April 2022)

HAA-284882-22
Digital Humanities Advancement Grants
Digital Humanities

[Media coverage]

Totals:
$324,931 (approved)
$324,931 (awarded)

Grant period:
1/1/2022 – 12/31/2024

Freedom and the Press before Freedom of the Press: Tools, Data, and Methods for Researching Secret Printing

The scaling up of tools and methods to allow scholars to identify and decipher illicit printing in documents predating and associated with the First Amendment. 

In response to the NEH's “More Perfect Union" initiative, this application contends that some of the most fascinating stories of the First Amendment’s prehistory are yet to be told – and that they can only be discovered with tools, data, and methods developed in digital humanities. Evidence for clandestine printing often lies below the threshold of human attention – in minute typographical details, recurring pieces of damaged type, similar or divergent paper stocks, or tiny variations in print shop practices, observable only at scale. At the same time, it takes sophisticated information architecture for researchers to move effectively from minute physical details to broader, more consequential patterns. Freedom and the Press before Freedom of the Press will ameliorate persistent challenges in studying clandestine printing by scaling up an established suite of tools, data, and machine learning methods developed to help researchers discover hidden information in letterpress print.

Montclair State University (Montclair, NJ 07043-1624)
John Soboslai (Project Director: June 2021 to present)

HAA-284888-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$39,176 (approved)
$39,176 (awarded)

Grant period:
1/1/2022 – 3/31/2023

Seeing What Takes Place: Exploring Immersive Experiences of Religious Rituals

Convening a group of religious studies scholars and technologists to research best practices and evaluate the appropriateness of recording and interpreting religious rituals in extended reality (XR) for teaching religion.

This project seeks to convene a meeting of religious studies scholars and experts in XR modalities to explore the creation of immersive videos analyzing and explaining religious rituals. The proposed two-day advisory meeting will evaluate the best practices for creating stereoscopic (360 degrees) videos combined with documentary style analysis and discussion into resources aimed at teaching about religion. The meeting will consist of presentations by scholars of various religious traditions and experts in educational immersive technologies, paired with brainstorming sessions considering appropriate representations of diverse religious traditions, suitable methods regarding the filming and dissemination of such videos, and concerns around maintaining connections between practices and the living communities that hold them sacred. Information generated by our collaboration will be made publicly available and serve as the backbone for a blueprint towards the creation phase of the project.

University of Virginia (Charlottesville, VA 22903-4833)
Jennifer Stertzer (Project Director: June 2021 to present)
Bayard Miller (Co Project Director: December 2021 to present)
James P. McClure (Co Project Director: December 2021 to present)

HAA-284893-22
Digital Humanities Advancement Grants
Digital Humanities

[Media coverage]

Totals:
$44,570 (approved)
$44,570 (awarded)

Grant period:
7/1/2022 – 12/31/2023

Planning a Federated Early North American Weather Records Digital Resource

A series of meetings to develop a prototype for a federated digital resource on North American weather and climate data collected during the 18th- and 19th-centuries.

The proposed project is a collaborative effort between the Papers of Thomas Jefferson at Princeton University, the Center for Digital Editing at the University of Virginia, and the Center for Digital Scholarship at the American Philosophical Society. The project is seeking level one funding to support planning meetings, a workshop, drafting of technical specifications, and the development of a prototype for federated weather and climate records digital resource. Planning and experimentation work during this grant period will lay the groundwork for the future development of a federated weather and climate records platform. This platform will support both the editorial preparation (broadly conceived) and publication of weather and climate records. Planning and development work will ultimately result in the publication of the Federated Early North American Weather Records Digital Resource.

Massachusetts Institute of Technology (Cambridge, MA 02139-4307)
Cagri Hakan Zaman (Project Director: June 2021 to present)
Caroline Ann Jones (Co Project Director: December 2021 to present)

HAA-284908-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$50,000 (approved)
$50,000 (awarded)

Grant period:
1/1/2022 – 3/31/2023

Latent Archive: Immersive Storytelling Platform for Examining Spatial History

Prototype development of a new digital tool that will allow users to identify and study objects and landscapes appearing in moving image scenes.

We seek Level I funding for planning and early prototype development of the Latent Archive tool, conceived as an immersive media platform for studying moving image archives. The project has been developed in collaboration with MIT Transmedia Storytelling Initiative (TSI) and MIT Virtual Experience Design Lab (VxD).

Arizona Board of Regents (Tucson, AZ 85721-0073)
Jennifer Lei Jenkins (Project Director: June 2021 to present)

HAA-284912-22
Digital Humanities Advancement Grants
Digital Humanities

[Grant products][Media coverage][Prizes]

Totals:
$324,573 (approved)
$324,573 (awarded)

Grant period:
1/1/2022 – 12/31/2024

Tribesourcing Southwest Film: Digital Repatriation

A series of workshops in Arizona, New Mexico, and California and the development of a digital curriculum on the creation of culturally-appropriate descriptive metadata and narration for Native American films based on the Tribesourcing Southwest Film website.

Tribesourcing Southwest Film digitally repurposes a collection of midcentury educational and sponsored films about Native peoples of the Southwestern U.S., reclaiming visual content through recording culturally-informed alternate audio tracks voiced by Native narrators from within the cultures represented. This process, which we have termed “tribesourcing,” has the double benefit of repatriating historic images and decolonizing these archival films, visible at Tribesourcingfilm.com. In this proposal, we seek to extend the project by: recording additional narrations in Southern California, Arizona and New Mexico; developing a digital curriculum for workshops; and to begin decentralizing the project through a series of workshops to help communities who wish to do their own tribesourcing with their own archived audio-visual materials.

Vanderbilt University (Nashville, TN 37240-0001)
Lynn Ramey (Project Director: January 2022 to present)
Jacob Abell (Co Project Director: May 2022 to present)

HAA-287475-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$149,950 (approved)
$149,950 (awarded)

Grant period:
9/1/2022 – 8/31/2024

Brendan’s Voyage: An Immersive Environment for Medieval Language and Culture

The creation of a virtual immersive environment to provide training to students in medieval languages and cultures.

Brendan's Voyage: An Immersive Environment for Medieval Language and Culture emphasizes the link between the spoken and written elements of medieval French in a virtual, interactive, immersive learning environment based on a foundational literary text. Informed by empirical research, modern language pedagogy offers immersive learning experiences through study abroad programs or exclusive target-language use in the classroom. These techniques are not readily available for the teaching of medieval languages. Our project addresses this problem through the creation of a virtual immersive environment that allows the user to learn medieval languages as if they were inhabiting an authentic context. Informed by professional game design and modern language pedagogy, Brendan’s Voyage will offer a revolutionary way to teach and learn a historically influential medieval language in a culturally informed narrative and visual context.

Arizona Board of Regents (Tucson, AZ 85721-0073)
Erika Gault (Project Director: January 2022 to September 2022)
Karen Seat (Project Director: September 2022 to present)

HAA-287582-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$49,983 (approved)
$49,983 (awarded)

Grant period:
9/1/2022 – 3/31/2024

Connected Faith: A Digital Black Religion Project

The research and planning for a new digital resource focusing on historical intersections of Black religious practices and technology.

The Digital Black Religion Project seeks to bridge the public’s understanding of earlier Black networks as both similar to and foundational in later digital-religious networks through a website with tools, approaches, and resources for the study of digital Black religion. This project is significant to Black religious publics given the past years physical to digital migration of many religious communities. The way humanities scholars’ study and understand such publics is undergoing deep transformation. At present, digital humanities scholars of religion and Black religious publics hold a shared interest in locating tools and resources to better understand Black religion in the digital context. Yet, research regarding Black religious adherents largely centers statistical data on physically located religious institutions. This project fills a significant gap in the humanities and in social scientific data.

Arizona Board of Regents (Tucson, AZ 85721-0073)
Bryan Carter (Project Director: January 2022 to present)
Rashida Kamilah Braggs (Co Project Director: May 2022 to present)

HAA-287657-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$49,428 (approved)
$49,428 (awarded)

Grant period:
9/1/2022 – 12/31/2023

Preserving BIPOC Expatriates’ Memories During Wartime and Beyond: Building a Volumetric Archiving Platform for Immersive Storytelling and Humanities Pedagogy

Research into the best practices for designing and preserving volumetric recordings of individuals for the purpose of teaching and learning history and culture in cultural heritage organizations.

We are applying for an NEH Digital Humanities Advancement Grant at the level I planning stage in order to identify and begin culling important stories of expatriation by BIPOC during and beyond the war. The NEH Digital Humanities Advancement Grant in particular can help us explore whether volumetric video capture is an effective digital tool for preserving these unforgettable personal narratives and cultural memories in multi-sensory ways that make them accessible long into the future. We will rethink the nature of storytelling, considering, in particular, how immersive, interactive volumetric video capture and display are likely to dramatically alter what and how stories may be told, understood, archived, preserved, and accessed. A volumetric capture system uses a number of cameras to capture humans , turning them into lifelike, 3-dimensional renderings, producing a nearly identical, photorealistic representation of them.

St. Louis University (St. Louis, MO 63103-2097)
Atria Larson (Project Director: January 2022 to present)

HAA-287674-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$149,835 (approved)
$149,835 (awarded)

Grant period:
9/1/2022 – 8/31/2024

Gallery of Glosses

The prototyping and testing of a web platform for sharing digitized medieval manuscripts that allows users to identify and transcribe the annotations and marginalia. 

"Gallery of Glosses" constitutes a project aimed at producing an open digital platform with an accessible and flexible workflow and a community of users centered on "glosses" (annotations, marginalia) preserved in medieval manuscripts. It focuses on glosses composed on texts of various genres that were authoritative in medieval education and society.

Bard College (Annandale-on-Hudson, NY 12504-9800)
Aaron Glass (Project Director: January 2022 to present)
Judith E. Berman (Co Project Director: January 2022 to present)

HAA-287675-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$150,000 (approved)
$148,546 (awarded)

Grant period:
9/1/2022 – 8/31/2024

Enhancing Accessibility of Site Content in Scalar for the Digital Publication of Indigenous Cultural Heritage Materials

The development of additional features and extensions for the Scalar multimedia platform to better allow scholars and publishers to produce works by and about indigenous cultural and linguistic content.

This grant will fund enhancements to Scalar, an open-source publishing platform, that will improve accessibility of content and enable core features and functions to better serve the needs of future authors and audiences. We will test the enhancements with content from our Critical Edition of Franz Boas and George Hunt’s groundbreaking 1897 ethnography, The Social Organization and the Secret Societies of the Kwakiutl Indians, currently under development with RavenSpace, an application of Scalar for digital publishing of cultural heritage in accordance with mainstream academic and Indigenous frameworks. In particular, the grant will support collaborative research, testing, and assessment of extensions to Scalar features (navigation templates, advanced search functionality, expanded alt text and AV captioning capacity, and customized Traditional Knowledge Labels) that will increase access to Indigenous cultural and linguistic content, and be extensible throughout the digital humanities.

President and Fellows of Harvard College (Cambridge, MA 02138-3800)
Lukas Klic (Project Director: January 2022 to present)

HAA-287761-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$199,688 (approved)
$199,688 (awarded)

Grant period:
9/1/2022 – 8/31/2025

Metapolis: Spatializing Histories through Archival Sources

The creation of geospatial enhancements to an existing digital infrastructure that will allow users to link to other scholarship, generate new research, and publish findings.

Metapolis aims to develop a digital research infrastructure to support scholarship in the humanities that seeks to geospatially reconstruct places throughout time. As an interactive map-based publication platform, it enables users to cross-pollinate archival, bibliographic and multimedia sources with interpretive research, allowing for their interlinking and visualization on a map. Built on top of ResearchSpace, an open-source Semantic Web research environment, it facilitates the reuse and publishing of Linked Open Data. A rich set of features support data enrichment with external knowledge bases such as VIAF, WikiData, OCLC, and the Getty vocabularies. Designed both as a research and publication tool, the software allows groups of scholars from a wide range of humanistic disciplines to connect their research and augment each other's findings through the layering of historical maps, interlinking them to sources to allow users to build knowledge about the world and its history.

University of Massachusetts, Amherst (Amherst, MA 01003-9242)
Emiliano Ricciardi (Project Director: January 2022 to present)

HAA-287804-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$224,688 (approved)
$185,244 (awarded)

Grant period:
9/1/2022 – 8/31/2025

Software Enhancements for the Digital Edition of the Settings of Torquato Tasso's poetry, ca. 1570-1640

The enhancement of the digital editing platform that undergirds the Tasso in Music Project by incorporating additional accessibility features and analytical tools.

The Tasso in Music Project (www.tassomusic.org) is the first complete digital edition of the early modern settings of the poetry of Torquato Tasso, the most prominent literary figure of late 16th-century Italy. With funding from NEH Scholarly Editions ($260,000, 2016-19), the project has made available a repertoire of over 750 settings, most of which were previously unavailable in modern edition, addressing an interdisciplinary audience of scholars and performers. We now seek to enhance the digital framework to make the project accessible to an even broader audience and to encourage analytical studies. Specifically, we will expand the range of the editions’ formats, providing among others an option for Braille notation, creating one of the largest musical repositories accessible to the visually impaired. Additionally, given the analytical potential of the repertoire, with settings of the same poetry by multiple composers, we will build computational tools to analyze the interaction between musical and poetic prosody/syntax.

Trustees of Dartmouth College (Hanover, NH 03755-1808)
Edward Garvey Miller (Project Director: January 2022 to present)
Douglas A. Boyd (Co Project Director: May 2022 to present)

HAA-287817-22
Digital Humanities Advancement Grants
Digital Humanities

Totals (outright + matching):
$399,368 (approved)
$349,368 (awarded)

Grant period:
9/1/2022 – 8/31/2024

Visualizing Oral Histories: New Data Annotation and Visualization Tools for the Oral History Metadata Synchronizer

The development and release of new features for the Oral History Metadata Synchronizer platform used by librarians and archivists to annotate and share oral history collections online.

This project, a collaboration between Dartmouth College and the University of Kentucky, undertakes a major enhancement of the Oral History Metadata Synchronizer (OHMS), the pre-eminent digital platform for managing and indexing oral history archives. Drawing on the prior work of the Dartmouth Digital History Initiative (DDHI), the project team will add advanced data annotation and Named Entity Recognition functionality to the OHMS application. The project team will also draw on the DDHI’s prior experience with data visualization to add mapping and timeline features to the OHMS viewer. The project will benefit archivists and curators who implement OHMS on digital oral history collections. It will also benefit the end users of oral history archives, who will have new digital tools for exploring and learning from these collections. All deliverables for this project will be available on a free and open-source basis.

University of Maine, Orono (Orono, ME 04473-1513)
Anne Kelly Knowles (Project Director: January 2022 to present)

HAA-287827-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$150,000 (approved)
$150,000 (awarded)

Grant period:
9/1/2022 – 8/31/2024

Placing the Holocaust: A Digital Platform for Exploring the Intersecting Places of Victims and Perpetrators

The development of a new research and learning platform that brings together spatial and linguistic data extracted from historical records and oral histories to support and teach spatial studies of the Holocaust.

We propose to build a prototype, multi-part, interactive website that will generate new insights into the role of places in genocide and survival while providing a platform for teaching and spatial thinking about the Holocaust. The website will share 14 years of data developed during the team’s research on the geographies of the Holocaust. The site’s unprecedentedly rich content will include detailed data on 1,111 SS-administered concentration and labor camps and 1,142 Jewish ghettos in German-occupied Eastern Europe, with camps and ghettos dynamically linked to sites of experience described in 4,000 transcripts of survivor interviews. This project will demonstrate a new model for humanistic mapping that combines GIS with computational linguistics. The website will provide user-tested teaching materials, sample maps, and full documentation to support use in high school and college classes, as well as carefully checked data and a digital Holocaust gazetteer for scholarly research.

University of Southern California (Los Angeles, CA 90089-0012)
Peter C. Mancall (Project Director: January 2022 to present)
Curtis Fletcher (Co Project Director: May 2022 to present)
Sean Fraga (Co Project Director: May 2022 to present)

HAA-287859-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$150,000 (approved)
$150,000 (awarded)

Grant period:
9/1/2022 – 8/31/2023

Booksnake: Building and Testing an Augmented Reality Tool for Embodied Interaction with Existing Digitized Archival Materials

The development of a prototype application that will allow users to view and manipulate digitized archival materials in augmented reality as well as an evaluation of its potential as a teaching tool for the humanities.

Interacting with digitized archival materials in a Web browser fails to replicate the close engagement possible during in-person research. We are building Booksnake, a mobile app that transforms existing IIIF-compliant digitized archival materials for interaction in augmented reality. Booksnake dynamically inserts a digitized item into the live camera view on a mobile device, making it feel like the item is physically present and permitting embodied exploration. Level II funding will support development of a beta-stage prototype and evaluation of Booksnake as a humanities teaching tool in university and K-12 education. We will use the NEH-supported Chronicling America collection of digitized historic newspapers to build support for compound objects, which have multiple images linked to a single catalog record. By the end of the grant period, we will publicly release a working prototype, open-source code, technical documentation, and project results, supporting extensibility and reuse.

University of Missouri, Kansas City (Kansas City, MO 64110-2235)
Viviana L Grieco (Project Director: January 2022 to present)
Praveen Rao (Co Project Director: May 2022 to present)

HAA-287903-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$149,999 (approved)
$149,999 (awarded)

Grant period:
10/1/2022 – 8/31/2023

A Knowledge Graph for Managing and Analyzing Spanish American Notary Records

The continued development of computational methods to analyze and process handwritten scripts from 17th century documents.

We seek NEH funding to complete the development of a software that will enable twenty-first century scholars to expeditiously read and analyze seventeenth-century Spanish American notary records and efficiently find relevant content in these documentary collections. Using recent advances in deep learning and knowledge management, we will develop a tool to manage and analyze about 220,000 pages of digital images of seventeenth-century manuscripts available at the Archivo General de la República Argentina located in Buenos Aires. This collection combines a large variety of handwritten scripts. Based on this distinctive collection, our proposed tool will enable processing manuscripts available at other archival sites and create research and collaboration opportunities elsewhere in Latin America.

President and Fellows of Harvard College (Cambridge, MA 02138-3800)
Rosie Bsheer (Project Director: January 2022 to present)
Lauren Montague (Co Project Director: September 2022 to present)

HAA-287905-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$50,000 (approved)
$50,000 (awarded)

Grant period:
9/1/2022 – 8/31/2023

Turath: Arabian Peninsula Digital Archive

The design and development of a prototype of a digital library repository of archival materials on the history of Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, United Arab Emirates, and Yemen.

Turath is a collaborative, community-centric, and open-source digital archive project that aims to curate a repository on the Arabian Peninsula’s history while building tools for the readability and searchability of Arabic texts. Focusing primarily on local sources from the last two centuries, Turath will collect, digitize, and visualize the records, periodicals, photographs, and audio/video recordings related to the history of the Arabian Peninsula. Turath will also further historical knowledge of the Indian Ocean, East Africa, South Asia, and the United States, and enhance our understanding of such global phenomena as modern capitalism, religion, urbanization, and global warming. Committed to the values of the humanities, Turath prioritizes universal accessibility for researchers while foregrounding and providing a platform for local communities in the peninsula to highlight their roles in history-writing and facilitate their own legacy-making through community archival collections.

University of Central Florida Board of Trustees (Orlando, FL 32816-8005)
Lori C. Walters (Project Director: January 2022 to present)
Joseph Kider (Co Project Director: May 2022 to present)

HAA-287908-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$147,405 (approved)
$147,405 (awarded)

Grant period:
10/1/2022 – 3/31/2024

MemoryScan: Humanizing Digital Twin Environments

The development of 3D virtual reality methods to help elicit memory recall from current and former residents of a community in Florida to study how this technique can aid in collecting and documenting oral histories.

The MemoryScan: Humanizing Digital Twin Environments project (MemoryScan) seeks to develop a prototype community-scale Digital Twin platform to elicit memory recall from current and former citizens and visitors of a particular community. MemoryScan will examine the potential advantages of using Digital Twins (a complete virtual representation of a building(s)) as a tool to assist the capturing of participant reflections and supporting documentation. As an interactive 3D virtual environment, it is designed to be applied to large areas, which can enable users to move between structures without interrupting the experience evoking their reflections. This Digital Twin will permit, through a shared interview/exploration the collection of personal images and documents. Our research seeks to gather personal reflections and contextualize them with a broad spectrum of information related to a community.

Brown University (Providence, RI 02912-9100)
Linford D. Fisher (Project Director: January 2022 to present)
Ashley Champagne (Co Project Director: January 2022 to present)

HAA-287921-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$350,000 (approved)
$350,000 (awarded)

Grant period:
9/1/2022 – 8/31/2025

Stolen Relations: Recovering Stories of Indigenous Enslavement in the Americas

The migration of an existing database and the development of an updated public interface and search engine for the Stolen Relations project, along with outreach activities with local New England tribal communities.

Stolen Relations: Recovering Stories of Indigenous Enslavement in the Americas (www.indigenousslavery.org) is a community-centered, collaborative project that seeks to broaden our understanding of Indigenous experiences of settler colonialism and its legacies through the lens of slavery and servitude. We are applying for a Level III NEH DHAG in order to design and program a front end public interface, initiate new partnerships (especially with the Tomaquag Museum), and build and expand the technical aspects of the database (including linked open data and migrating to Mukurtu). We are gathering and documenting as many instances as possible of Indigenous enslavement in the Americas between 1492 and 1900 (and beyond, where relevant), focused primarily on New England for now, in close partnership with thirteen regional tribes, nations, and communities. Our project seeks to recover the stories of individuals and make these stories and documents available for use by a broad range of people.

University of Southern California (Los Angeles, CA 90089-0012)
Lynn S. Dodd (Project Director: January 2022 to present)
Sabina Zonno (Co Project Director: May 2022 to present)

HAA-287925-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$150,000 (approved)
$150,000 (awarded)

Grant period:
9/1/2022 – 8/31/2023

Access to Every Page of a Woman’s Ancient Manuscript in Virtual Space

The further development of an immersive VR experience that allows users to explore and study an illuminated manuscript from the 15th century.

This embodied, interactive experience enables global audiences to explore and learn to handle an ancient, fragile Renaissance book while being immersed in the aural and spatial environment in which the manuscript was originally used. A key innovation is the true interactivity and material physics technology that enable people to actually turn and “feel” like they are turning parchment pages. This supports enhanced awareness of the risk of use-damage for ancient artifacts of cultural and historical interest. The virtual reality experience promotes engagement without damaging the originals and facilitates education, public programming, and humanities research and teaching in libraries, archives, museums, and colleges. This virtual reality project is a means both to preserve and promote access to and reading of a 15th-century illuminated, parchment Book of Hours that was owned by a woman associated with a community of lay women, and is now at the University of Southern California.

Penn State (University Park, PA 16802-1503)
Elizabeth C. Mansfield (Project Director: January 2022 to present)
James Z. Wang (Co Project Director: May 2022 to present)
Jia Li (Co Project Director: August 2022 to present)

HAA-287938-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$150,000 (approved)
$133,885 (awarded)

Grant period:
9/1/2022 – 8/31/2024

After Constable’s Clouds: Toward A Machine Learning Paradigm for Studying Pictorial Realism

The further development of computer vision methods to compare and classify features in paintings, specifically those from the Barbizon, Realist, and Impressionist traditions.

After Constable’s Clouds will use computer vision to enhance art historical understanding of 19th-century Realism. The emergence of Realism in French landscape painting is often linked to the 1824 exhibition in Paris of John Constable’s unidealized view of the English countryside, The Hay Wain. Viewers particularly noted the veracity of Constable’s clouds. Indeed, our computational research shows that Constable’s clouds are more closely modeled on the structure of actual clouds than those of his contemporaries, with French academician Pierre-Henri de Valenciennes a near rival. Valenciennes taught a generation of landscape artists, emphasizing the importance of plein-air sky studies, yet histories of French landscape tend to cast Constable as Realism’s catalyst. After Constable’s Clouds will test this historiography by using computer vision to classify and compare the clouds in paintings by Barbizon, Realist, and Impressionist painters with those of Constable and Valenciennes.

History Center in Tompkins County (Ithaca, NY 14850-4400)
Eve Snyder (Project Director: January 2022 to present)

HAA-287945-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$145,634 (approved)
$145,634 (awarded)

Grant period:
10/1/2022 – 3/31/2024

HistoryForge: Mapping Census Data to Visualize Local HIstory

The development of new features and expansion of the user base for the free and open-source HistoryForge, a digital public humanities project that brings census records together with historical maps into one interface that fosters research and teaching of local histories.

HistoryForge is a digital application that combines historic maps with census records of the people who live in a community. The initial prototype visualizes the demographic data on searchable maps that allows users and institutions to more fully connect with primary source historical records. The proposed project expands the functionality of the HistoryForge prototype, and supports the further adoption by additional testing partners.

Internet Archive (San Francisco, CA 94129-1711)
Thomas Padilla (Project Director: January 2022 to present)
Rachael Samberg (Co Project Director: January 2022 to present)

HAA-287948-22
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$49,698 (approved)
$49,059 (awarded)

Grant period:
9/1/2022 – 8/31/2023

LEGAL LITERACIES FOR TEXT DATA MINING - CROSS BORDER ("LLTDM-X")

A series of roundtables and the development of case studies on ethical and legal issues for US-based humanities researchers around data mining of large-scale textual collections held outside of the United States.

Legal Literacies for Text Data Mining - Cross-Border (“LLTDM-X”) is a Level 1 Advancement Grant project addressing law and policy issues faced by U.S. digital humanities (DH) practitioners whose text data mining (TDM) research and practice intersects with foreign-held or -licensed content, or involves international collaborations. Through a series of virtual roundtables and accompanying legal research and analysis, LLTDM-X will surface these issues and distill preliminary guidance for navigating them—making possible future instruction modules to facilitate critical DH research. These outcomes achieve NEH Advancement Grant funding priorities of pursuing evaluations “that investigate the practices and the impact of digital scholarship on research, pedagogy, scholarly communication, and public engagement.”

University of Alabama (Tuscaloosa, AL 35487-0001)
Rebecca Salzer (Project Director: June 2020 to present)
Gesel Mason (Co Project Director: October 2020 to present)

HAA-277185-21
Digital Humanities Advancement Grants
Digital Humanities

[Media coverage]

Totals:
$99,996 (approved)
$99,996 (awarded)

Grant period:
1/1/2021 – 12/31/2023

Prototyping an Extensible Framework for Access to Dance Knowledge

The creation of an online resource to increase accessibility to recordings of works by Black choreographers along with tools to make it easier to study dance by providing the ability to search and create connections across collections.

In keeping with the values of “experimentation, reuse, and extensibility,” this Level II proposal, titled “Dancing Digital,” leverages artist/scholar Gesel Mason’s existing collection No Boundaries: Dancing the Visions of Contemporary Black Choreographers and the open-source software CollectiveAccess to create a working prototype for an online resource that 1) provides online access to important full-length recordings of works by historically-underrepresented Black choreographers, 2) models how to imaginatively combine these full length recordings of dance with innovative features and supporting materials that enrich dance study across humanities disciplines, 3) creates a scalable, open-source, digital framework that broadens the focus from one choreographer’s work to the possibility of an interconnected field-wide archive, and 4) documents and shares the process, constructing a road map for other artists and organizations seeking to provide access to their collections.

UCLA; Regents of the University of California, Los Angeles (Los Angeles, CA 90024-4201)
Marissa Katherine Lopez (Project Director: June 2020 to November 2022)
Kelley Arlene Kreitz (Co Project Director: October 2020 to November 2022)

HAA-277190-21
Digital Humanities Advancement Grants
Digital Humanities

[White paper]

Totals:
$50,000 (approved)
$31,529 (awarded)

Grant period:
1/1/2021 – 12/31/2021

Pursuing the Potential of Digital Mapping in Latinx Studies

A two-day workshop and support network to build capacity in digital mapping methods for scholars in Latinx Studies.

We request a Level 1 grant for a two-day workshop at UCLA on August 12-13, 2021. Latinx Studies is built on understanding how spatial struggles shape racial, ethnic, and national identity. As Latinx Studies scholars increasingly use digital mapping in their research and teaching, we will bring scholars, GIS experts, and public and academic research librarians together to: 1) provide technical training to help participants build skills and advance their individual projects; and 2) plan a support network to facilitate the creation of shared data repositories, partnerships with libraries, training and mentoring opportunities, and an online hub of best practices and teaching materials. The workshop will draw on UCLA’s extensive resources and expertise in GIS research. In line with the “A More Perfect Union” initiative, this project will advance digital mapping as a method of increasing understanding of the enduring presence of people of Latin American descent in the history of our nation.

University of Maryland, College Park (College Park, MD 20742-5141)
Matthew Thomas Miller (Project Director: June 2020 to present)
David Smith (Co Project Director: November 2020 to present)

HAA-277203-21
Digital Humanities Advancement Grants
Digital Humanities

Totals:
$324,571 (approved)
$282,905 (awarded)

Grant period:
1/1/2021 – 6/30/2023

Automatic Collation for Diversifying Corpora: Improving Handwritten Text Recognition (HTR) for Arabic-script Manuscripts

Refinement of machine learning methods to improve automatic handwritten text recognition of Persian and Arabic manuscripts and make these sources more accessible for humanities research and teaching.

The Automatic Collation for Diversifying Corpora (ACDC) project will significantly improve the accuracy of handwritten text recognition (HTR) for Arabic-script manuscripts by developing a collation tool to automatically create large amounts of training data from existing digital texts and manuscript images without time-consuming human annotation of individual manuscripts. The ACDC project will accomplish this task by extending the capabilities of the text alignment tool passim and the HTR engine Kraken to align very poor initial HTR transcriptions of diverse manuscript exemplars with existing digital texts in order to automatically produce training data in a “distantly supervised” manner. The ACDC tool’s acceleration of the training data production process will enable, for the first time, the creation of generalizable Arabic and Persian HTR models required for the digital transcription of large-scale Persian and Arabic manuscript collections.